Biennale Architecttura 2018
June 2018
The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.
Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.
The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.
Collaboration with Kim Wilkie wins Natural History Museum Competition
April 2014
Niall McLaughlin Architects with Kim Wilkie have won the bid to redesign the setting of the Natural History Museum, in a two-stage international competition, organised by Malcom Reading. The team was the unanimous choice of the jury, who included Graham Morrison of Allies and Morrison, former cabinet minister Michael Portillo, Sophie Andreae, a Trustee of Historic Royal Palaces and Dr Michael Dixon, Director of the Natural History Museum.
Jury chair, Ian Henderson said of the scheme, ‘The challenge was to find a team which would consider the changing nature of the Museum, a team who would think holistically, both spatially and intellectually, considering the Museum and the Grounds together. Niall McLaughlin Architects did this brilliantly.’
The commission gives the opportunity to re-imagine the extensive entrance grounds to the world famous museum in South Kensington, London and provide a fitting context for the architectural excellence of the 19th century Waterhouse building. The museum is a global leader in scientific research, housing over 80 million species from around the world and is one of the top visitor attractions in the UK.
The team is looking forward to working with the museum to develop a proposal that will transform the experience for the 5 million visitors that the museum welcomes each year and showcase the museum to the wider cultural quarter centered on the newly redeveloped Exhibition Road.
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