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Biennale Architecttura 2018

June 2018

Biennale Architecttura 2018

The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.

Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.

The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.

Niall McLaughlin interviewed on Radio New Zealand

April 2014

Whilst visiting New Zealand as guest lecturer for the 2014 Futuna Lecture Series, Niall McLaughlin was interviewed by Kim Hill for the Saturday Morning Show on Radio New Zealand. During the 40 minute conversation they discussed ideas behind a range of the practice’s projects including a private house on Ireland’s west coast, the athletes’ housing scheme for the London Olympics and an apartment block for the Peabody Trust in Silvertown.

The conversation also drew in wider architectural themes, touching on contemporary attitudes to construction and sustainability, Modernism’s tendency towards introversion, and the increasing disconnect between abstract ideas and built form.

Niall concluded the conversation saying, “I do think that buildings should be embodiments of ideas, and people working with architects should be confident to say, ‘These are my ideas. What kind of buildings can you make out of them.’ ”

To listen to the full interview click here.