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Biennale Architecttura 2018

June 2018

Biennale Architecttura 2018

The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.

Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.

The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.

‘Eternal Problems’, RIBA Journal Exhibition Review by Niall McLaughlin

June 2014

Niall McLaughlin has written a piece for the RIBA Journal on the symbolic use of architecture within early Renaissance Art. The essay describes observations based on a visit to the ‘Building the Picture’ exhibition, currently on show at the National Gallery in London. The exhibition gathers together architectonic works by the Italian masters of the 14th-16th centuries that explore real and imagined architectural space.

The article observes how the Renaissance artists’ enthusiasms for displaying their newly discovered skills of perspective and knowledge of the classical forms are conflated with a religious symbolism. The tropes of classical architecture are used as visual metaphors for the divine and eternal. The article explores the effect of these spaces on the viewer and the reasons why the idealised architecture tends to alienate rather than engage.