WONGAVERY GALLERY OPENING
JUNE 2022
HRH The Duke of Gloucester officially opened the WongAvery Music Gallery for Trinity Hall on the 24th June.
During the dedication ceremony in the Music Gallery, Vice-Master Dr Daniel Tyler and Vice-Chair of the Avery-Tsui Foundation Natasha Wong, addressed the guests, before a dedication given by alumnus Revd Cortland Fransella. The ceremony concluded by the Director of Music Andrew Arthur, who played a piece on the piano in the new space.
Dr Tyler said: “Avery Court has been transformed by the addition of the WongAvery Music Gallery. This state-of-the art musical recital and rehearsal space is a stunning addition to the College. We are grateful to His Royal Highness for formally opening the building.
“We offer our sincere thanks to the Avery-Tsui Foundation for their support. It is wonderful to be in this space at the heart of Trinity Hall and know that it has been built thanks to the love of music and the love of the College on the part of a former student and his family. I am sure it will inspire future generations of students.”
NIALL MCLAUGHLIN WRITES LA ARTICLE FOR ARCHITECTURAL REVIEW
SEPTEMBER 2013
Niall McLaughlin has written an article for the Architectural Review, entitled ‘Street Life: Michael Maltzan’s Social Housing in Los Angeles’. The piece examines the history of the infamous area of LA known as Skid Row and three housing projects by the practice Michael Maltzan Architecture for this fractured part of the city. The piece draws out common themes between the projects, which are all low-cost accommodation for the previously homeless, exploring the successful spatial relationships between the private space of the individual rooms, the areas of common sheltered space and the public realm of the street.
“The formal virtuosity of each composition is Maltzan’s own special skill and they suggest that high architecture can give pleasure and dignity to all of us….I hope that the different spatial experiments, linking and articulating pavement, common sheltered space and private rooms, will become subjects for further reflection and analysis. It speaks of our common need to situate ourselves and participate in public life.” NM