< Back to News

PLANNING PERMISSION GRANTED FOR WONG AVERY GALLERY

MAY 2018

Planning Permission Granted For Wong Avery Gallery

Planning permission has been granted for the construction of a small new music practice and performance space for Trinity Hall, Cambridge. The stone-built music practice and recital space will sit in the centre of Avery Court, on the College’s central Cambridge site, adjacent to several listed buildings including the chapels of both Trinity Hall and Clare College. It will be named the Wong Avery Gallery in recognition of its primary funders, the family of the late Dennis Avery, the College Fellow after whom the Court is named. The addition of the new building will greatly improve the College’s offer for students and staff participating in or studying music and enrich the cultural life of the College as a whole.

It is a simple loadbearing construction made of thin stone columns and beams. It is a composition of cubic forms, with a Greek cross plan-form. Performances will take place in the centre, with audience seating in bay windows at the ends of each arm, the walls of which are lined with shelves to store sheet music. Over the crossing, a glazed lantern brings light into the centre of the building and is lined with acoustic shutters which allow the reverbera- tion time of the space to be finely tuned according to the number of musicians and audience members for each rehearsal or performance. As part of the proposals, the court will be landscaped to designs by Kim Wilkie, with a large paved area surrounded by borders filled with predominantly green shrubs and climbing plants.

The project is due to start on site during the academic year 2018 -19.

TAMSIN HANKE WRITES ARTICLE ON RUSSIA FOR THE ARCHITECTURAL REVIEW

FEBRUARY 2014

Tamsin Hanke writes article on Russia for the Architectural Review

Tamsin Hanke, member of the practice and recent winner of the Dissertation Medal at this year’s RIBA President’s Medal Student Awards, has written an article for the Architectural Review, commenting on the current political and urban landscape in Russia. Under the title ‘Don’t get Distracted: Russia under the Spotlight’, the piece gives context to the built fabric of the country, explaining its links to rapid industrialisation during at the first part of the 20th century. The article calls for an understanding of the complexities of contemporary Russia beyond recent attention grabbing headlines and stresses the need for new urban methods to solve the historic contradiction between policy and infrastructure.

To read the full article click here