WINNER OF THE 2022 STIRLING PRIZE
OCTOBER 2022
The Royal Institute of British Architects (RIBA) has named our project The New Library at Magdalene College in Cambridge as the winner of the 26th RIBA Stirling Prize, the UK’s most prestigious award for architecture.
The New Library contains a study space and library, archive and picture gallery and appears as an arrangement of simple brick volumes which echo the typical gabled forms of the existing College. The main library is a suite of interconnecting rooms lined with bookcases, reading desks and galleries, arranged on a tartan grid between interconnecting passageways. Conceived as a journey towards the light, three main reading rooms organise the principal circulation route through the library from the three-storey entrance hall, to a double-height central reading room and up to a long single-height room overlooking the garden.
Speaking on behalf of the 2022 RIBA Stirling Prize jury, RIBA President Simon Allford, said:
“A unique setting with a clear purpose – The New Library at Magdalene College is sophisticated, generous, architecture that has been built to last.
Creating a new building that will last at least 400 years is a significant challenge, but one that Niall McLaughlin Architects has risen to with the utmost skill, care and responsibility.”
AUCKLAND CASTLE WING EXTENSION
MAY 2019
Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.
The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.
