THE OBSERVER, WHO SHOULD WIN THE 2023 STIRLING PRIZE?
MAY 2023
Rowan Moore has written in the Observer discussing who should win this years Stirling Prize and selected Saltmarsh House as one of them. He describes the building as "mathematically insistent and precise – the diameter of the metal tubes used for both structure and light fittings is an unvarying 4cm, and it’s built to a tiny 3mm margin of error – to the point of luxuriance. Victorian greenhouses that once stood nearby are inspirations for its fragility, the Amber Fort in Jaipur for its quadripartite columns, the Japanese engawa or veranda for the open-to-nature dining room."
BIENNALE ARCHITECTTURA 2018
JUNE 2018
The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.
Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.
The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.