On the 6th March Niall and Yeoryia Manolopoulou are giving a talk to the Welcome Trust on their Losing Myself collaboration that explores dementia, architecture and drawing, particularly through the contrast between the architect’s intention for a building and its subsequent inhabitation. The work represented Ireland at the 2016 Venice Biennale.
Architecture critic Rowan Moore has written a review of the Bishop Edward King Chapel with the title “The Answers to their Prayers” that was published in the Observer Magazine. The article touches on the broader themes of the interpretation and appropriation of religious symbolism in architecture, and in this context praises the paradoxical nature of the chapel; “It is…heavy and light, a bastion and a boat, a wall and a drape. It has presence, but doesn’t dominate.” Describing the form and materiality of the building Moore writes, “The building is crafted and considered: it makes ideas physical: it has intentions and carries them out in its space and matter.”