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TWO RIBA NATIONAL AWARD WINS

JULY 2024

The WongAvery Music Gallery for Trinity Hall in Cambridge and Auckland Castle, Tower & Faith Museum have both won RIBA National Awards.

The Auckland Project was founded by philanthropist Jonathan Ruffer. The project is one of a series of urban and historic interventions that seek to preserve the Castle’s heritage, promote Bishop Auckland as a visitor destination and reinvigorate the town. The Castle project by Purcell Architects involved the conservation of the state apartments and domestic rooms, and the provision of new learning, catering, retail and visitor facilities. It sought to increase visitor engagement and bring to life the forgotten story of the Prince Bishops and their role in the nation’s past. In its pivotal location, the form and construction of the Auckland Tower is intended to echo lightweight provisional structures that would once have clustered around Castle walls. It allows people a view into the Castle to understand this previously secluded world. The new Faith Museum extension to the Castle takes the simple form of a barn with certain details developed to project a public representation of a sacred function and provides space for exhibition displays on faith in Britain. The Auckland project has previously been awarded an RIBA North East Building of the Year and North East Conservation Award.

The WongAvery Gallery is a music practice and performance space for Trinity Hall, Cambridge. The new building sits in the centre of Avery Court. The aim of this project was not only to provide a much-needed dedicated space for music practice and performance, but also to rejuvenate Avery Court by relandscaping the court around the new building in a collaboration with Kim Wilkie. It also houses environmentally sensitive musical instruments and the college’s music library. the Jury commented on the project “The jury left the pavilion having absorbed a sense of calm unusual in any building. This is an admirable project in the way it has set out exceptional architectural ambitions and succeeded in seeing them through both design and construction with outstanding rigour and attention to detail.”

BIENNALE ARCHITECTTURA 2018

JUNE 2018

The 2018 Venice Biennale opened to the public on the 26^th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.

Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.

The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.