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TINTAGEL COMPETITION SHORTLIST

SEPTEMBER 2015

Tintagel Competition Shortlist

Niall McLaughlin Architects are one of six shortlisted for the Tintagel Castle Bridge competition run by Malcolm Reading. The new footbridge will link the ruins of the 13th-century coastal castle, the mythical home of King Arthur, and the nearby headland. The winning scheme will stand 28 metres higher than the current crossing and spanning more than 70 metres. Also on the shortlist are Dietmar Feichtinger Architectes, Marks Barfield Architects, Ney & Partners Civil Engineers, RFR and Jean-Francois Blassel Architecte and Wilkinson Eyre. The competition jury which is chaired by Allies and Morrison partner Graham Morrison said ‘The competition’s first stage attracted high-level interest from around the world and we were delighted with the response. In choosing the shortlist we looked for designers likely to produce a range of imaginative ways of making a beautiful and economic structure that is right for this very particular setting”.

A+U FEATURE ON SOMERVILLE COLLEGE ACCOMMODATION

MAY 2014

a+u Feature on Somerville College Accommodation

The Japanese journal a+u has published an account of the practice’s student accommodation for Somerville College, Oxford. The theme of this month’s publication is ‘New Landscapes of Wooden Architecture’ and features an international selection of projects that explore new aspects of wood technology and its potential within cities. The article gives a description on the themes and processes behind the project, placing it within the context of the historic university city and the surrounding Radcliffe Infirmary Quarter.

It is illustrated with working details of the bespoke timber glazing for the stair tower lanterns, as well as the prefabricated timber projecting bay window units for the student bedrooms, with their integral desk and bench seat overlooking the street.

‘We chose to make the glazed elements in the stair towers and student rooms in wood because we wanted them to be like warm lanterns, internally lit in the evening, bringing light to the narrow street…Wood allowed us to make more three-dimensional details…we owe a debt to Louis Kahn’s work at Philip Exeter Academy Library.’  NM