THE WELCOME BUILDING
SEPTEMBER 2017
The Welcome Building in Bishop Auckland consists of a new viewing tower and central ticketing hall for the The Auckland Project. It acts as an access point and gateway to the wider site whilst also giving views over the town and landscape setting. The tower – a timber framed structure – is now well under way on site.
The building team has worked tirelessly and with the highest level of precision, to build the in-situ concrete lift shaft. Working from the ground up seemed to take an age.
Meanwhile, the enormous larch glulam beams have been carefully crafted and manually grey-oiled in the joiner’s workshop.
The frames are now being lifted into position on site and suddenly the building can be seen. Almost in an instant. As if the past four years had happened in the blink of an eye.
We are so excited and proud – even – to see this fantasy project becoming real at last. But with completion on the horizon, time seems to now move all too fast.
A+U FEATURE ON SOMERVILLE COLLEGE ACCOMMODATION
MAY 2014
The Japanese journal a+u has published an account of the practice’s student accommodation for Somerville College, Oxford. The theme of this month’s publication is ‘New Landscapes of Wooden Architecture’ and features an international selection of projects that explore new aspects of wood technology and its potential within cities. The article gives a description on the themes and processes behind the project, placing it within the context of the historic university city and the surrounding Radcliffe Infirmary Quarter.
It is illustrated with working details of the bespoke timber glazing for the stair tower lanterns, as well as the prefabricated timber projecting bay window units for the student bedrooms, with their integral desk and bench seat overlooking the street.
‘We chose to make the glazed elements in the stair towers and student rooms in wood because we wanted them to be like warm lanterns, internally lit in the evening, bringing light to the narrow street…Wood allowed us to make more three-dimensional details…we owe a debt to Louis Kahn’s work at Philip Exeter Academy Library.’ NM