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The Guardian on the Royal Academy Summer Exhibition

June 2022

The Guardian on the Royal Academy Summer Exhibition

Olly Wainwright has published his Guardian review of this year’s Royal Academy architecture rooms which have been co-curated by Níall McLaughlin and artist Rana Begum. With this year’s theme being ‘Climate’, Wainwright highlights that “Architects and engineers have, after all, some responsibility for the mess we’re in, given that 40% of carbon emissions come from buildings. They also have the means to do something about it”. Níall commented, “there can be a sense of fatalism about the climate, but our discipline can show that imaginative change is possible”. 

The article reviews a few select pieces such as Stonemasonry Company and Webb Yates engineers’ large stone beam titled ‘Equanimity’, the Khudi Bari (or Tiny House), a modular monsoon-resistant shelter designed by Bangladeshi architect Marina Tabassum, and Thai architect Boonserm Premthada’s ‘Dung Power’ a structure made from elephant dung bricks. 

The article can be accessed here. 

Image © Royal Academy of Arts, London / David Parry

Key Note Lecture at Conference on Modern Sacred Architecture

October 2014

Niall McLaughlin has given a keynote lecture on the theme of ‘Sacred Spaces’ as part of a conference on Modern Sacred Architecture in Ireland and Germany, hosted at Newman House in Dublin. The conference was hosted as a collaboration between University College Dublin, Goethe-Institut Ireland and the National College of Art and Design. The other key note lecturers were Kathleen James-Chakraborty, Professor of Art History at UCD and Amandus Sattler, principal of the award-wining Munich practice, Allmann Sattler Wappner.

The three day event explored themes of abstraction and innovation, together with conservation and re-use in the design of churches, mosques and synagogues from 1920s to the present day. The lectures and panel discussions focussed on sacred architecture of the period within Ireland and Germany. Niall spoke on themes surrounding the practice’s ecclesiastical work, including the Bishop Edward King Chapel and the Carmelite chapels in London and Dublin.