We are delighted that our building Tapestry in Kings Cross has won an RIBA Regional Award. The building is located at the southwest corner of the North Site at King’s Cross Central and forms part of a 67 acre redevelopment in central London.
Tapestry contains open market and affordable apartments, a multi-use games area, a cafe/restaurant, an energy centre, a retail unit and a multi-storey car park.
Our new student accommodation scheme for Somerville College, has been awarded planning approval unanimously by Oxford City Council. The project, known as the Catherine Hughes Building, will provide 68 bedrooms, allowing the College to accommodate all their undergraduates on site. This is our third building for Somerville College, further to our work on the ROQ student housing and the extension to the Philip Dowson designed Wolfson building.
The new building has a frontage on to Walton Street, with a Graduate Reading Room at ground floor level. The use of red brick will reflect the neighbouring buildings, with articulated brickwork elements around generous windows to provide a rhythm to the façade. Framed setbacks at third floor level allow the new building to align with key levels on the adjacent Penrose Building and to provide variety to the roof line. Internally, bedrooms are arranged in to clusters with kitchens and circulation spaces utilising direct and borrowed natural light and forming focal points for social activity.
Enabling works, involving the demolition of existing buildings, are due to commence in the next few months, with the main construction expected to start on site at the beginning of 2018.
We are working on new student residential buildings for Balliol College, Oxford. As part of the detailed design development we have been working with a façade sub-contractor based in Belgium, and recently made a visit to their manufacturing factories. The itinerary for the day – a design workshop, a factory tour and a review of samples. Lots of coffee after an early Eurostar, and a good lunch.
There had been several similar design workshops before; where gathered around the meeting table, sketches were scattered as we questioned the architectural intent and the construction details equally. Brick samples sat in front of us, books piled up with precedents opened, past project drawings and models pulled out for reference. How to compose the language to create a calm and unified façade across the site. The engineers, the architects, the craftsmen who will build the façade.
These sorts of discussion are an aspect of everyday practice, and incredibly valuable part of the process – marrying the conversations of design aspiration with the actual making of. The bricks and mortar that see the architecture delivered from the paper to the physical form.