Stirling Prize Shortlist

July 2018

Niall McLaughlin Architects are delighted to announce that the Sultan Nazrin Shah Centre for Worcester College in Oxford has been shortlisted for this years RIBA Stirling Prize.

The practice was selected through a competition in 2013. The Sultan Nazrin Shah Centre is a new building housing a large lecture theatre, a student learning space, seminar rooms and a dance studio. The project is not simply the provision of new facilities, but also the development and enhancement of the setting of this significant part of the College site. Whilst the relationship between the new buildings and the listed parkland is important, it is only one part of a complex arrangement.

The Provost of Worcester College, Sir Jonathan Bate, said: ‘We are thrilled that our building has been shortlisted for the Stirling Prize, the UK’s most prestigious award for architecture. Thanks to the vision of Níall McLaughlin Architects and the immense skill of our contractors, we have a breathtakingly beautiful venue for lectures and conferences that benefits our students and visitors alike. We are delighted that RIBA regards it as one of the best modern buildings in Britain today.’

Athletes Occupy Olympic Housing

August 2012

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games. Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)