< Back to News

SOMERSET HOUSE COMPETITION WIN

JANUARY 2020

Somerset House Competition Win

We are delighted to announce that Niall McLaughlin Architects has been appointed to design a new, multi-purpose auditorium and public space. This follows an international competition (organised by Colander Associates) which had a total of 69 entries from an impressive calibre of architectural teams. Eight teams were shortlisted which included Adjaye Associates, Barozzi/Veiga with DRDH, David Chipperfield Architects, Flores Prats with AOC Architects, Haworth Tompkins with Citizen’s Design Bureau, Snohetta with Orms, Studio Seilern, and Niall McLaughlin Architects. The jury, comprising Jonathan Reekie (Director, Somerset House Trust), Julia Barfield (Architect), Martine d’Anglejan Chatillon (Trustee and arts producer), Brian Eno (Trustee and artist/musician), Sarah Gaventa (Director of Illuminated River), Paul Goswell (Trustee and MD of Delancey) and Paul Purgas (Artist and Somerset House Studios resident), was unanimous that Niall McLaughlin Architects’ presentation gave a strong sense of design direction and clarity of thought, with an unmatched commitment to sustainability and a distinctly creative and collaborative approach. The jury felt confident that in our hands, the team would deliver Somerset House’s vision of creating a world-class performance space to make and showcase new, cutting-edge multi-disciplinary work to new, younger and more diverse audiences.

MARY ANN STEANE ARTICLE IN ARCHITECTURE TODAY ON RIPON COLLEGE CHAPEL

MARCH 2013

Mary Ann Steane Article in Architecture Today on Ripon College Chapel

Author and Cambridge academic Mary Ann Steane has written on the Chapel’s “lyrical embodiment of liturgy and light” in an article published in Architecture Today. Dr. Steane previously included the Carmelite Monastery project in her book ‘The Architecture of Light’. The article in Architecture Today elucidates on the Chapel’s filtering of natural light through the internal timber structure, as a means of tying the building to its surroundings.

“On a sunny day the upper surfaces become an animated embroidery of light and shadow in tune with the surrounding windblown foliage, but even on a dull day the way that light is held within the tall enclosure is critical to the project’s narrative of tethering.”

Link to the full article