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SOMERSET HOUSE COMPETITION WIN

JANUARY 2020

We are delighted to announce that Niall McLaughlin Architects has been appointed to design a new, multi-purpose auditorium and public space. This follows an international competition (organised by Colander Associates) which had a total of 69 entries from an impressive calibre of architectural teams. Eight teams were shortlisted which included Adjaye Associates, Barozzi/Veiga with DRDH, David Chipperfield Architects, Flores Prats with AOC Architects, Haworth Tompkins with Citizen’s Design Bureau, Snohetta with Orms, Studio Seilern, and Niall McLaughlin Architects. The jury, comprising Jonathan Reekie (Director, Somerset House Trust), Julia Barfield (Architect), Martine d’Anglejan Chatillon (Trustee and arts producer), Brian Eno (Trustee and artist/musician), Sarah Gaventa (Director of Illuminated River), Paul Goswell (Trustee and MD of Delancey) and Paul Purgas (Artist and Somerset House Studios resident), was unanimous that Niall McLaughlin Architects’ presentation gave a strong sense of design direction and clarity of thought, with an unmatched commitment to sustainability and a distinctly creative and collaborative approach. The jury felt confident that in our hands, the team would deliver Somerset House’s vision of creating a world-class performance space to make and showcase new, cutting-edge multi-disciplinary work to new, younger and more diverse audiences.

ARCHITECTURE FOUNDATION OF AUSTRALIA CONFERENCE

JANUARY 2014

Niall McLaughlin has been invited to participate in a conference on Milson Island on the Hawkesbury River in Australia. Organised by the Architecture Foundation Australia, the residential event gathers an international field of speakers to explore a chosen theme. It will take place between the 28^th and 30^th of March 2014. This year’s theme will be ‘trace de la main’, taken from the comment by engineer Peter Rice that “whereas a Gothic cathedral will express the real and physical presence of the stone from which it was made, and of the masons who laboured over its construction so many years ago, very few modern buildings carry the same physical presence of the materials of which they were built. In short, ‘the trace de la main’, the evidence of those who built it, is not there.”