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SOCIAL HOUSING EXHIBITION

FEBRUARY 2018

Social Housing Exhibition

On the 15th February a 4-month exhibition opened at the Center of Architecture in New York. The exhibition is based on Karakusevic Carson Architects’ book ‘Social Housing, New European Projects’ in which our Stirling Prize nominated project Darbishire Place was included.

The exhibition is curated by Karakusevic Carson Architects and features projects and contributions by:

Adam Khan Architects (UK), Assemble (UK), Avenier & Cornejo Architectes (France), Chartier Dalix (France), Hans van der Heijden (The Netherlands), Einszueins (Austria), Hawkins\Brown (UK), Haworth Tompkins Architects (UK), Karakusevic Carson Architects (UK), Lacaton & Vassal (France), LAN architecture (France), Mae (UK), Mecanoo (The Netherlands), Mikhail Riches Architects (UK), Mole (UK), muf architecture/art (UK), Niall McLaughlin Architects (UK), s333 architecture + Urbanism (UK), Sergison Bates architects (UK & CH), TVK (France), Witherford Watson Mann (UK) and zanderroth architeckten (Germany). The exhibition was first shown at the Royal Institution of British Architects in London from 18 April to 28 May 2017.

ATHLETES OCCUPY OLYMPIC HOUSING

AUGUST 2012

Athletes Occupy Olympic Housing

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games.  Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)