NIALL ELECTED AS A ROYAL ACADEMICIAN IN THE CATEGORY OF ARCHITECTURE
JUNE 2019
The Royal Academy of Arts has elected Níall as a Royal Academician in the category of Architecture following a recent General Assembly. John Akomfrah was also elected as a Royal Academician in the category of Painting and in addition, international artists Kara Walker and Carmen Herrera have been elected as Honorary Royal Academicians.
The Royal Academy of Arts is governed by 80 Royal Academicians who are all practising artists or architects. On reaching the age of 75 they become Senior Academicians thus initiating vacancies for new Members. Elections are held at regular meetings of the General Assembly, when new Members are voted in by existing RAs.
The Royal Academy of Arts was founded by King George III in 1768. It has a unique position in being an inde-pendent, privately funded institution led by eminent artists and architects whose purpose is to be a clear, strong voice for art and artists. Its public programme promotes the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate.
A+U FEATURE ON SOMERVILLE COLLEGE ACCOMMODATION
MAY 2014
The Japanese journal a+u has published an account of the practice’s student accommodation for Somerville College, Oxford. The theme of this month’s publication is ‘New Landscapes of Wooden Architecture’ and features an international selection of projects that explore new aspects of wood technology and its potential within cities. The article gives a description on the themes and processes behind the project, placing it within the context of the historic university city and the surrounding Radcliffe Infirmary Quarter.
It is illustrated with working details of the bespoke timber glazing for the stair tower lanterns, as well as the prefabricated timber projecting bay window units for the student bedrooms, with their integral desk and bench seat overlooking the street.
‘We chose to make the glazed elements in the stair towers and student rooms in wood because we wanted them to be like warm lanterns, internally lit in the evening, bringing light to the narrow street…Wood allowed us to make more three-dimensional details…we owe a debt to Louis Kahn’s work at Philip Exeter Academy Library.’ NM