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RIBA STIRLING PRIZE SHORTLIST

JUNE 2015

RIBA Stirling Prize Shortlist

Niall McLaughlin Architects are thrilled that Darbishire Place, Whitechapel Peabody Housing has been shortlisted for this year’s Stirling Prize.

Writing about Darbishire Place in a piece written for the Guardian, Olivier Wainwright said ” Filling in the gap of a second world war bomb site, the building follows the sobriety of Darbishire’s designs for “cheap, cleanly, well drained and healthful dwellings for the poor”, but updates it with generous internal spaces and sharply-crafted details that make it as near to a model housing scheme as you could find”.

The RIBA President Stephen Hodder, says: “The shortlisted projects are each surprising new additions to urban locations – hemmed into a hospital car park, in-filling an east London square, completing a school campus. But their stand-out common quality is their exceptionally executed crafted detail.”

The other 5 buildings making this years shortlist are Burntwood School in Wandsworth, designed by Allford Hall Monaghan Morris; the Maggie’s Cancer Care Centre in Lanarkshire, by Reiach and Hall; the NEO Bankside luxury apartments in Southwark, Rogers Stirk Harbour; the Library and Teaching Building at the University of Greenwich, by Heneghan Peng; and the Whitworth Art Gallery in Manchester, by MUMA.

ATHLETES OCCUPY OLYMPIC HOUSING

AUGUST 2012

Athletes Occupy Olympic Housing

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games.  Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)