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RIBA SOUTH AWARD WINNERS

MAY 2022

RIBA South Award Winners

We are delighted that 2 of our Oxford project, the Catherine Hughes Building and Master's Field Development, have been awarded a RIBA South Regional Award. Holly Galbraith, practice associate and project architect for the Master's Field Development was also awarded RIBA South Project Architect of the Year.

The Catherine Hughes Building was commented as managing " to strike the delicate balance between a carefully considered and cleverly modelled response to context, and a clear architectural identity and consistent language of its own." 

The RIBA judges also commented on the Masters Field Development as a " significant addition to the edge of the urban centre of Oxford, comprising 228 bedrooms along roughly 200m of streetscape in total. It also represents the development of a sophisticated visual and constructional language that allows for the degree of repetition and subtle variation that is both necessary and appropriate for a single building project of this size and in this context."

BIENNALE ARCHITECTTURA 2018

JUNE 2018

Biennale Architecttura 2018

The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.

Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.

The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.