Two of our projects have made this years RIBA Regional Awards Shortlist. Saltmarsh House on the Isle of Wight, a steel framed pavilion that floats above a meadow of wild grasses. The simple house includes a long living and dining hall framed by three smaller spaces: a kitchen, a bedroom, and a bathroom, and The WongAvery Gallery, a music practice and performance space for Trinity Hall, Cambridge.
Niall McLaughlin has written a piece for the RIBA Journal on the symbolic use of architecture within early Renaissance Art. The essay describes observations based on a visit to the ‘Building the Picture’ exhibition, currently on show at the National Gallery in London. The exhibition gathers together architectonic works by the Italian masters of the 14th-16th centuries that explore real and imagined architectural space.
The article observes how the Renaissance artists’ enthusiasms for displaying their newly discovered skills of perspective and knowledge of the classical forms are conflated with a religious symbolism. The tropes of classical architecture are used as visual metaphors for the divine and eternal. The article explores the effect of these spaces on the viewer and the reasons why the idealised architecture tends to alienate rather than engage.