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RIBA East Award Winner

May 2022

RIBA East Award Winner

Magdalene College Library has been awarded a RIBA East Award. The New College Library for Magdalene College contains a study space and library, archive and picture gallery. Our scheme appears as an arrangement of simple brick volumes which echo the typical gabled architecture of the existing College. The main library is a suite of interconnecting rooms lined with bookcases, reading desks and galleries, arranged on a tartan grid between interconnecting passageways. Three main reading rooms organise the principal circulation route through the library from the three-storey entrance hall, to a double-height central reading room and up to a long single-height room overlooking the garden.

The RIBA judges commented "A brief to create a college library with a lifespan of 400 years – to replace a library gifted to Magdalene by Samuel Pepys 300 years previously – is no small task. Niall McLaughlin Architects have certainly risen to the challenge with this deft and inspiring temple to learning."

Craftlines

August 2015

Craftlines

My grandfather has worn many hats; soldier, civil servant, father of seven, husband, and winner of a county final in hurling (the achievement of which he is potentially most proud). He is fluent in Irish and recalls event and dates from 50 years ago with a staggering accuracy. Yet the residing image of him from my childhood is as a craftsman – in the garage next to his house in Dublin, whittling and sanding a piece of ash to form a hurley, sizing it precisely for the user, wrapping the handle to create the perfect hold. I remember sitting, playing surreptitiously with a clamp, watching this in awe: the creation of the perfect instrument from a piece of timber; a skill honed through practice and an unfailing attention to detail. I marvelled at the assurance of it all, the promise in his hands.

It would be satisfyingly simple to attribute my choice of career to these moments – to claim there was an epiphany in watching him, a sudden realisation that I wanted to be an architect, to create. In reality, however, the path was not so linear; instead the conviction that I wanted to become an architect embedded itself in my consciousness slowly, over time. The memory of him working in his garage was one I didn’t return to often, and like any story we fail to repeatedly tell ourselves, it languished, dormant, in the recesses of my mind.

I recently went to site at Jesus College, Cambridge, where we are working on a project that is part new build, part refurbishment. An aspect of the refurbishment involves the adaptation of eight bookcases in the magnificent former library into wall panelling. The existing bookcases are a dark stained timber, designed by Maurice Webb in the 1920s and wonderfully crafted by a masterful hand. Reworking these without compromising their beauty would be a challenge for any craftsman.

On seeing the work the joiner had done, I realised there was no cause for worry – it had been executed with confident, competent hands. In that moment, the memory of my grandfather in his garage came back to me in glorious Technicolor; and I felt a familiar thrill at the embodied potential of the right material in the hands of a craftsman, with promise in his hands.