Resolution to grant planning permission to University College Oxford passed

October 2020

Oxford City Council has passed a resolution to grant planning permission to University College Oxford (‘Univ’) for a new collegiate development in the North Oxford Victorian Suburb Conservation Area (NOVSCA). The scheme is for 150 new student bedrooms and represents the largest addition to the College in over three centuries. Niall McLaughlin Architects and Kim Wilkie won the commission in 2018 following an architectural competition.

The development – Univ North – will complement Univ’s High Street site in the city centre, and will enrich the College’s existing satellite annexe in north Oxford. Designed as an extensive, landscape-led proposal, the development will provide accommodation and facilities to encourage and nurture a multi-generational community. The whole development site embraces an existing care home and proposes new accommodation for undergraduates, postgraduates and early career academics along with a children’s nursery. In addition, the site will house a student café, a gym, ancillary study rooms, and a multipurpose common space for College events to which it is hoped the local community will join.

The scheme has been designed to improve the setting of the existing buildings and specimen trees by removing unsympathetic extensions and planting. Existing and new buildings frame a series of richly planted open, south-facing gardens and courts that are connected by a principal east-west path. The architecture and massing of the new buildings varies across the site as they respond to the immediate context in differing Character Areas that include Victorian and Edwardian villas, and notable modern buildings by Sir Philip Dowson and Geoffrey Beard. Existing and new buildings frame a series of richly planted open, south-facing gardens and courts that are connected by a principal east-west path. The architecture and massing of the new buildings varies across the site as they respond to the immediate context in differing Character Areas that include Victorian and Edwardian villas, and notable modern buildings by Sir Philip Dowson and Geoffrey Beard.

Sir Ivor Crewe, Master of University College at the time, said: “We are delighted that the City Council has supported our proposals for Univ North. It is a very exciting project, which will enable the College to deepen our own accommodation provision and support for future generations of students and academics studying at Univ.”

Craftlines

August 2015

My grandfather has worn many hats; soldier, civil servant, father of seven, husband, and winner of a county final in hurling (the achievement of which he is potentially most proud). He is fluent in Irish and recalls event and dates from 50 years ago with a staggering accuracy. Yet the residing image of him from my childhood is as a craftsman – in the garage next to his house in Dublin, whittling and sanding a piece of ash to form a hurley, sizing it precisely for the user, wrapping the handle to create the perfect hold. I remember sitting, playing surreptitiously with a clamp, watching this in awe: the creation of the perfect instrument from a piece of timber; a skill honed through practice and an unfailing attention to detail. I marvelled at the assurance of it all, the promise in his hands.

It would be satisfyingly simple to attribute my choice of career to these moments – to claim there was an epiphany in watching him, a sudden realisation that I wanted to be an architect, to create. In reality, however, the path was not so linear; instead the conviction that I wanted to become an architect embedded itself in my consciousness slowly, over time. The memory of him working in his garage was one I didn’t return to often, and like any story we fail to repeatedly tell ourselves, it languished, dormant, in the recesses of my mind.

I recently went to site at Jesus College, Cambridge, where we are working on a project that is part new build, part refurbishment. An aspect of the refurbishment involves the adaptation of eight bookcases in the magnificent former library into wall panelling. The existing bookcases are a dark stained timber, designed by Maurice Webb in the 1920s and wonderfully crafted by a masterful hand. Reworking these without compromising their beauty would be a challenge for any craftsman.

On seeing the work the joiner had done, I realised there was no cause for worry – it had been executed with confident, competent hands. In that moment, the memory of my grandfather in his garage came back to me in glorious Technicolor; and I felt a familiar thrill at the embodied potential of the right material in the hands of a craftsman, with promise in his hands.