RA VARNISHING DAY EDITION 2020: A MOMENT IN TIME
SEPTEMBER 2020
For the first time in the Royal Academy’s 252-year history, Varnishing Day couldn’t happen this year due to Covid-19, and the Summer Exhibition was delayed. As a result, Niall and another 99 of his fellow Academicians created a piece of work on 1st June; the ‘RA Varnishing Day Edition 2020: a Moment in Time’, to support the RA and thank our Friends for their ongoing support.
Brought together in a beautifully designed portfolio by award-winning production house Hurtwood, this is a unique collection of never-seen-before work by some of the most illustrious artists from across the world. The portfolio represents the first time in history that the RA’s community of Royal Academicians have collaborated on one piece of work – a taking of the temperature of British art at a crucial time, documenting what our RAs were doing, thinking and making on 1 June.
All sales of the portfolio support the RA and help us ensure that we are here for you – and everyone – long into the future. You can purchase the Portfolio here https://shop.royalacademy.org.uk/varnishing-day-portfolio.
BIENNALE ARCHITECTTURA 2018
JUNE 2018
The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.
Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.
The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.