RA Varnishing Day Edition 2020: A Moment in Time

September 2020

For the first time in the Royal Academy’s 252-year history, Varnishing Day couldn’t happen this year due to Covid-19, and the Summer Exhibition was delayed. As a result, Niall and another 99 of his fellow Academicians created a piece of work on 1st June; the ‘RA Varnishing Day Edition 2020: a Moment in Time’, to support the RA and thank our Friends for their ongoing support.

Brought together in a beautifully designed portfolio by award-winning production house Hurtwood, this is a unique collection of never-seen-before work by some of the most illustrious artists from across the world. The portfolio represents the first time in history that the RA’s community of Royal Academicians have collaborated on one piece of work – a taking of the temperature of British art at a crucial time, documenting what our RAs were doing, thinking and making on 1 June.

All sales of the portfolio support the RA and help us ensure that we are here for you – and everyone – long into the future. You can purchase the Portfolio here https://shop.royalacademy.org.uk/varnishing-day-portfolio.

Athletes Occupy Olympic Housing

August 2012

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games. Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)