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RA VARNISHING DAY EDITION 2020: A MOMENT IN TIME

SEPTEMBER 2020

RA Varnishing Day Edition 2020: A Moment in Time

For the first time in the Royal Academy’s 252-year history, Varnishing Day couldn’t happen this year due to Covid-19, and the Summer Exhibition was delayed. As a result, Niall and another 99 of his fellow Academicians created a piece of work on 1st June; the ‘RA Varnishing Day Edition 2020: a Moment in Time’, to support the RA and thank our Friends for their ongoing support.

Brought together in a beautifully designed portfolio by award-winning production house Hurtwood, this is a unique collection of never-seen-before work by some of the most illustrious artists from across the world. The portfolio represents the first time in history that the RA’s community of Royal Academicians have collaborated on one piece of work – a taking of the temperature of British art at a crucial time, documenting what our RAs were doing, thinking and making on 1 June.

All sales of the portfolio support the RA and help us ensure that we are here for you – and everyone – long into the future. You can purchase the Portfolio here https://shop.royalacademy.org.uk/varnishing-day-portfolio.

ARCHITECTURE FOUNDATION OF AUSTRALIA CONFERENCE

JANUARY 2014

Architecture Foundation of Australia Conference

Niall McLaughlin has been invited to participate in a conference on Milson Island on the Hawkesbury River in Australia. Organised by the Architecture Foundation Australia, the residential event gathers an international field of speakers to explore a chosen theme. It will take place between the 28th and 30th of March 2014. This year’s theme will be ‘trace de la main’, taken from the comment by engineer Peter Rice that “whereas a Gothic cathedral will express the real and physical presence of the stone from which it was made, and of the masons who laboured over its construction so many years ago, very few modern buildings carry the same physical presence of the materials of which they were built. In short, ‘the trace de la main’, the evidence of those who built it, is not there.”