This year’s Royal Academy Summer Exhibition opens to the public on the 21st June which Níall has co-curated with artist Rana Begum two rooms of art and architecture. Our practice has been been extremely delighted to have had this opportunity and assisting with assembling and the intall of some of the pieces, from Boomserm Premthada’s elephant dung brick to a full size Khudu Bari flood shelter in Bangladesh by Marina Tabassum.
The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.
Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.
The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.