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NMLA SWIM THE SERPENTINE

SEPTEMBER 2018

NMLA swim the serpentine

On Saturday, a group of current and former NMLA staff, friends and partners swam a mile in the Serpentine as part of the weekend’s open water swimming festival in Hyde Park.

Following a summer of sun-drenched sea and river swims, it was pouring with rain as we made our way through crowds of bemused tourists and displaced geese to the start. It felt distinctly autumnal as we lined up on the edge of the Serpentine in our wetsuits and matching hats to a motivational soundtrack featuring Ricky Martin. After a civilised scrummage at the start, everyone settled into a rhythm for the mile-long lap in the murky greenish-grey water. We circumnavigated Christo’s vast London Mastaba, a stack of 7,506 brightly coloured barrels floating in the centre of the lake, and agreed that our frog’s-eye views of it lent a new appreciation of the piece. As we rounded the final marker buoy and then clambered up the precarious exit ramp, we emerged grinning, enjoying the familiar and addictive endorphin buzz from pushing through the chilly water. A bottle of fizz was opened and shared, and we splashed damply off to the pub to warm up and relive the summer’s swimming exploits.

For anyone considering a discovery of swimming outside (even vicariously!), we would thoroughly recommend Roger Deakin’s wonderful book Waterlog, which tracks a year of swimming in the wild across the UK and has by now inspired thousands of subversive sea, river and lake swims.

GOLD AWARD WINNER AT WOOD AWARDS 2013

NOVEMBER 2013

Gold Award Winner at Wood Awards 2013

The Bishop Edward King Chapel has been named as the Gold Award winner at this year’s Wood Awards. The project was selected as overall winner from among over 300 entries and was also announced as the recipient of the prize for the  structural category.

The chairman of the judges described the chapel as “a stunning and worthy Gold Award winner.” He went on to say that the project “…embodies the Wood Awards’ celebration of excellence in design and craftsmanship in wood, and even exceeds the hope that the building might be a ‘work of art that would touch the spirit’.”