NMLA swim the serpentine

NMLA SWIM THE SERPENTINE

SEPTEMBER 2018

On Saturday, a group of current and former NMLA staff, friends and partners swam a mile in the Serpentine as part of the weekend’s open water swimming festival in Hyde Park.

Following a summer of sun-drenched sea and river swims, it was pouring with rain as we made our way through crowds of bemused tourists and displaced geese to the start. It felt distinctly autumnal as we lined up on the edge of the Serpentine in our wetsuits and matching hats to a motivational soundtrack featuring Ricky Martin. After a civilised scrummage at the start, everyone settled into a rhythm for the mile-long lap in the murky greenish-grey water. We circumnavigated Christo’s vast London Mastaba, a stack of 7,506 brightly coloured barrels floating in the centre of the lake, and agreed that our frog’s-eye views of it lent a new appreciation of the piece. As we rounded the final marker buoy and then clambered up the precarious exit ramp, we emerged grinning, enjoying the familiar and addictive endorphin buzz from pushing through the chilly water. A bottle of fizz was opened and shared, and we splashed damply off to the pub to warm up and relive the summer’s swimming exploits.

For anyone considering a discovery of swimming outside (even vicariously!), we would thoroughly recommend Roger Deakin’s wonderful book Waterlog, which tracks a year of swimming in the wild across the UK and has by now inspired thousands of subversive sea, river and lake swims.

NAZRIN SHAH BUILDING – STEELWORK

JULY 2015

Just over two years since our first tentative steps towards imagining what sort of space a new auditorium for Worcester College might possibly be like, we find ourselves enclosed within a spidery sketch, looking up to the trees through a skeletal enclosure of steel. We watched in excitement as our drawings were scribed across the site, first in neon spray paint and little red sticks, later excavated into deep ravines. We pick our way across the lines that had become so familiar on paper and are now concrete obstacles in a muddy field. The reality of this transition only became real as we stood looking across at the steel columns in this picture. They map out the positions of the stone fins that radiate around the curved facade of the new auditorium, with the sloping beams above us silhouetted against the bright July sky marking the future locations of the sculpted folds to the soffit.