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NIALL MCLAUGHLIN ON DEBRETT’S 500 LIST

JANUARY 2014

Niall McLaughlin has been named one of Britain’s 500 Most Influential People by Debrett’s. The 500 List is a positive endorsement and recognition of achievement and influence. It includes people from across all fields of expertise, chosen by an independent panels of specialists who provide nominations for selections to Debrett’s. Other architects on the list include Zaha Hadid, Richard Rogers and David Chipperfield.

“Niall McLaughlin was first drawn to architecture by the curved windows of the Berkeley Library in Trinity College Dublin. When he first emerged as an architect in the late 1990s he was tipped for great things, winning Young British Architect of the Year in 1998 and recognised as one of the BBC’s Rising Stars in 2001. The Irish-born architect has progressed to exceed all expectations. Garlanded with awards for everything ranging from houses to chapels, McLaughlin is also a very influential teacher in the field at Britain’s most highly-regarded architecture school, the Bartlett. His design of the Bishop Edward King Chapel was shortlisted for the esteemed RIBA Stirling Prize in 2013.”

To view the full list click here

ATHLETES OCCUPY OLYMPIC HOUSING

AUGUST 2012

Athletes Occupy Olympic Housing

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games.  Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)