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NIALL MCLAUGHLIN ON DEBRETT’S 500 LIST

JANUARY 2014

Niall McLaughlin has been named one of Britain’s 500 Most Influential People by Debrett’s. The 500 List is a positive endorsement and recognition of achievement and influence. It includes people from across all fields of expertise, chosen by an independent panels of specialists who provide nominations for selections to Debrett’s. Other architects on the list include Zaha Hadid, Richard Rogers and David Chipperfield.

“Niall McLaughlin was first drawn to architecture by the curved windows of the Berkeley Library in Trinity College Dublin. When he first emerged as an architect in the late 1990s he was tipped for great things, winning Young British Architect of the Year in 1998 and recognised as one of the BBC’s Rising Stars in 2001. The Irish-born architect has progressed to exceed all expectations. Garlanded with awards for everything ranging from houses to chapels, McLaughlin is also a very influential teacher in the field at Britain’s most highly-regarded architecture school, the Bartlett. His design of the Bishop Edward King Chapel was shortlisted for the esteemed RIBA Stirling Prize in 2013.”

To view the full list click here

NIALL MCLAUGHLIN WRITES LA ARTICLE FOR ARCHITECTURAL REVIEW

SEPTEMBER 2013

Niall McLaughlin writes LA Article for Architectural Review

Niall McLaughlin has written an article for the Architectural Review, entitled ‘Street Life: Michael Maltzan’s Social Housing in Los Angeles’. The piece examines the history of the infamous area of LA known as Skid Row and three housing projects by the practice Michael Maltzan Architecture for this fractured part of the city. The piece draws out common themes between the projects, which are all low-cost accommodation for the previously homeless, exploring the successful spatial relationships between the private space of the individual rooms, the areas of common sheltered space and the public realm of the street.

“The formal virtuosity of each composition is Maltzan’s own special skill and they suggest that high architecture can give pleasure and dignity to all of us….I hope that the different spatial experiments, linking and articulating pavement, common sheltered space and private rooms, will become subjects for further reflection and analysis. It speaks of our common need to situate ourselves and participate in public life.” NM