Key Note Lecture at Conference on Modern Sacred Architecture

KEY NOTE LECTURE AT CONFERENCE ON MODERN SACRED ARCHITECTURE

OCTOBER 2014

Niall McLaughlin has given a keynote lecture on the theme of ‘Sacred Spaces’ as part of a conference on Modern Sacred Architecture in Ireland and Germany, hosted at Newman House in Dublin. The conference was hosted as a collaboration between University College Dublin, Goethe-Institut Ireland and the National College of Art and Design. The other key note lecturers were Kathleen James-Chakraborty, Professor of Art History at UCD and Amandus Sattler, principal of the award-wining Munich practice, Allmann Sattler Wappner.

The three day event explored themes of abstraction and innovation, together with conservation and re-use in the design of churches, mosques and synagogues from 1920s to the present day. The lectures and panel discussions focussed on sacred architecture of the period within Ireland and Germany. Niall spoke on themes surrounding the practice’s ecclesiastical work, including the Bishop Edward King Chapel and the Carmelite chapels in London and Dublin.

ATHLETES OCCUPY OLYMPIC HOUSING

AUGUST 2012

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games. Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)