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JESUS COLLEGE PLANNING APPROVAL

APRIL 2015

Jesus College Planning Approval

We have won planning and listed building consent for the first phase of a significant development for Jesus College, Cambridge.

The West Court development includes the sensitive refurbishment and extension of a Grade II Listed building to provide research facilities, offices, social spaces and accommodation. A new café pavilion and basement bar extends the building’s north elevation and provides a prominent link to the rest of the College.

A 1970s building closes the courtyard to Jesus Lane and will be refaced, refurbished and converted to provide a lecture theatre with research facilities and two floors of academic accommodation. Linking the two existing buildings, a new entrance building houses conference facilities and serves the lecture theatre, research spaces and an exhibition room. It will provide access to future phases of the development including a new purpose-built auditorium, formal courtyard and nursery along with storage, archive and sports facilities.

The Master of Jesus College, Professor Ian White, said “We are excited by the opportunity the West Court development brings to take the facilities we can offer to students, alumni and the wider world to a new level of excellence.”

‘ETERNAL PROBLEMS’, RIBA JOURNAL EXHIBITION REVIEW BY NIALL MCLAUGHLIN

JUNE 2014

Niall McLaughlin has written a piece for the RIBA Journal on the symbolic use of architecture within early Renaissance Art. The essay describes observations based on a visit to the ‘Building the Picture’ exhibition, currently on show at the National Gallery in London. The exhibition gathers together architectonic works by the Italian masters of the 14th-16th centuries that explore real and imagined architectural space.

The article observes how the Renaissance artists’ enthusiasms for displaying their newly discovered skills of perspective and knowledge of the classical forms are conflated with a religious symbolism. The tropes of classical architecture are used as visual metaphors for the divine and eternal. The article explores the effect of these spaces on the viewer and the reasons why the idealised architecture tends to alienate rather than engage.