‘ETERNAL PROBLEMS’, RIBA JOURNAL EXHIBITION REVIEW BY NIALL MCLAUGHLIN
JUNE 2014
Niall McLaughlin has written a piece for the RIBA Journal on the symbolic use of architecture within early Renaissance Art. The essay describes observations based on a visit to the ‘Building the Picture’ exhibition, currently on show at the National Gallery in London. The exhibition gathers together architectonic works by the Italian masters of the 14th-16th centuries that explore real and imagined architectural space.
The article observes how the Renaissance artists’ enthusiasms for displaying their newly discovered skills of perspective and knowledge of the classical forms are conflated with a religious symbolism. The tropes of classical architecture are used as visual metaphors for the divine and eternal. The article explores the effect of these spaces on the viewer and the reasons why the idealised architecture tends to alienate rather than engage.
ATHLETES OCCUPY OLYMPIC HOUSING
AUGUST 2012
In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games. Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.
Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)