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Niall will be taking part in a talk alongside Kim Wilkie and Audrey Carden on the 17th September at the Design Centre Chelsea Harbour to discuss the changing face of architecture and design in a decade that’s been described as a new ‘golden age of the English country house’.  The event will be chaired by Interiors Editor, Giles Kime.



Checking In

In July, following a recent opportunity to begin designing a concept store for fashion brand HiPanda, two of the NMLA team were lucky enough to travel to Tokyo for a site visit.

After leaving the airport, we begin driving through the narrow Tokyo streets as the dizzying cityscape towers upwards. Some things seem similar, but always more…vertical. Stepping out of the car the humid air quickly envelops, reminding us we are certainly not in Camden anymore. Pure overstimulation.

Stepping into Hotel Okura’s lobby the chaos of the megalopolis washes off and is replaced with Zen. Passing the immaculately stacked wall of umbrellas, the ‘bell captain’ gracefully bows with a slight smile seeing how large my eyes have become.  The dimly lit mirage of greens and browns is so consistently assembled it seems to hum. While the giant world map hanging on the wall is supposed to remind us of the new time zone, it instead seems to catapult us back 5 decades, straight into a scene from Madmen. The hotel’s 60s style interior has remained completely untouched. And it’s marvellous. Even the impeccable uniforms of the staff match the muffled beige palette. While at each turn there are plethora patterns and textures, it still feels incredibly understated.

Designed by Yoshiro Taniguchi and Hideo Kosaka in 1962, the modern design clearly references more traditional Japanese forms and palettes. Unfortunately, the original Northern Wing of the hotel (which was arguably the most authentic and impressive of the two) was demolished in 2015 to make way for a much larger tower ahead of the 2020 Tokyo Olympics. Despite widespread outcry to try and save the adored modernist relic, the Northern Wing fell to the wrecking ball .

Yet so many aspects of the Southern Wing still hold endless charms and we were so lucky to experience them. Warm timber and brass detailing forms the backdrop to lighter elements like shoji screens and ornate wall hangings. The wide low spaces are punctuated by dangling hexagonal pendants and potplants. When standing in the space you can instantly see why writers have been inspired to set their scenes within these walls. James Bond spent a night or two here, while local writers seem equally enamoured, and Haruki Murakami sends Aomame here in his unnerving and fantastical 1Q84.

While Tokyo charges ahead into the future almost everywhere you look, it was so special to witness this elegant design, perfectly frozen in time.



Deal Pier Cafe

The Guardian has written a piece about CHALKUP21, a 21st-century architectural coastal trail along the Strait of Dover.  The trail has been created to raise awareness and appreciation of recent coastal architecture. Along the trail you can see  The Wing at Capel Le Ferne (2015), the Samphire Hoe Education shelter(2014) and on the Dover Esplanade, Tonkin Liu’s Three Waves (2009), the Dover Sea Sports centre (2010) and Alma Tischler Wood’s North Downs Way START/FINISH line (2010); the National Trust Visitor Centre (1999), the Pines Calyx (2006) at St Margaret’s Bay and our Deal Pier Café.

To see the full article please click here.