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Catherine Hughes Building Planning Approval

May 2017

Catherine Hughes Building Planning Approval

Our new student accommodation scheme for Somerville College, has been awarded planning approval unanimously by Oxford City Council. The project, known as the Catherine Hughes Building, will provide 68 bedrooms, allowing the College to accommodate all their undergraduates on site. This is our third building for Somerville College, further to our work on the ROQ student housing and the extension to the Philip Dowson designed Wolfson building.

The new building has a frontage on to Walton Street, with a Graduate Reading Room at ground floor level. The use of red brick will reflect the neighbouring buildings, with articulated brickwork elements around generous windows to provide a rhythm to the façade. Framed setbacks at third floor level allow the new building to align with key levels on the adjacent Penrose Building and to provide variety to the roof line. Internally, bedrooms are arranged in to clusters with kitchens and circulation spaces utilising direct and borrowed natural light and forming focal points for social activity.

Enabling works, involving the demolition of existing buildings, are due to commence in the next few months, with the main construction expected to start on site at the beginning of 2018.

Athletes Occupy Olympic Housing

August 2012

Athletes Occupy Olympic Housing

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games.  Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)