Camden Goods Yard

CAMDEN GOODS YARD

DECEMBER 2017

Camden Council granted planning permission to Camden Goods Yard at the end of November, voting unanimously in favour of the scheme. The extensive development reinvents an existing Morrisons supermarket and car park on Chalk Farm Road and in close proximity to the Roundhouse and Camden Locks. The project will deliver 573 new homes of mixed tenure, including nearly 40% affordable homes.

Niall McLaughlin Architects designed the mixed-use building marking the main point of access to the Camden Goods Yard site off Chalk Farm Road. It incorporates an existing petrol filling station into a mixed-use building that accommodates workspace alongside retail, a cafe, restaurant and winter garden.

The shop units are placed between heavy brick piers with riveted steel beams above, referencing the language of the ‘Great Wall of Camden’ that once stood in its place and the historic industrial structures nearby. At the corner, the building is a celebration of public activity, enlivened by the inhabitants of its cafes and restaurants, and a winter garden at the top level. The adjacent office accommodation has a vitreous and delicate outer facade with a layered and dynamic inner skin offering depth, texture and changing transparency.

The project is a collaboration with Allies and Morrison, who are the overall masterplan architect and, together with Piercy & Company, designers of the individual buildings.

ATHLETES OCCUPY OLYMPIC HOUSING

AUGUST 2012

In the run up to the London Olympics, the Athletes’ Village housing block N15, is now occupied with athletes’ preparing for the games. Niall McLaughlin Architects have designed the external skin of the housing block on a ‘chassis’ designed by Glen Howells. The facade samples fragments of the Elgin Marbles, scanned from the British Museum and converted into 3D pre-cast panels depicting galloping horses from the Parthenon Frieze.

Niall McLaughlin commented on the practice’s approach to the unusual commission in Building Design. ‘I was very interested in the principle of the facade being delaminated from the building’s core form. Usually it’s something one tries to swim against to retain a sense of ‘authenticity’, but here we decided to embrace it….I like the idea of setting Ruskin’s conception of the craftsman against the absolute Taylorism of the construction process. Through digital reproduction, these deracinated stones are now doubly lost.’ (Building Design 27.01.2012)