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CAMDEN GOODS YARD

DECEMBER 2017

Camden Goods Yard

Camden Council granted planning permission to Camden Goods Yard at the end of November, voting unanimously in favour of the scheme. The extensive development reinvents an existing Morrisons supermarket and car park on Chalk Farm Road and in close proximity to the Roundhouse and Camden Locks. The project will deliver 573 new homes of mixed tenure, including nearly 40% affordable homes.

Niall McLaughlin Architects designed the mixed-use building marking the main point of access to the Camden Goods Yard site off Chalk Farm Road. It incorporates an existing petrol filling station into a mixed-use building that accommodates workspace alongside retail, a cafe, restaurant and winter garden.

The shop units are placed between heavy brick piers with riveted steel beams above, referencing the language of the ‘Great Wall of Camden’ that once stood in its place and the historic industrial structures nearby. At the corner, the building is a celebration of public activity, enlivened by the inhabitants of its cafes and restaurants, and a winter garden at the top level. The adjacent office accommodation has a vitreous and delicate outer facade with a layered and dynamic inner skin offering depth, texture and changing transparency.

The project is a collaboration with Allies and Morrison, who are the overall masterplan architect and, together with Piercy & Company, designers of the individual buildings.

MICHAEL WEBB WRITES A FEATURE ON NIALL MCLAUGHLIN IN MARK MAGAZINE

OCTOBER 2013

Michael Webb Writes a Feature on Niall McLaughlin in Mark Magazine

Under the title ‘London Maverick’ Mark Magazine has profiled Niall McLaughlin and a wide ranging showcase of the practice’s work. The article includes projects from the Bandstand at Bexhill-on-Sea in 2001 to the Chapel for Ripon Theological College completed last year, the latter being described as a project that “restores one’s faith in the capacity of architects to reinvent traditional forms.”

The work of the practice is described as defying categorisation and characterised by “poetry and invention”. Drawing on the broad theme of materiality, the review reflects on the design process for a selection of projects including House at Goleen, the student accommodation for Somerville College, the Information Centre in Hull and the Housing for the London Olympics.