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BISHOP EDWARD KING CHAPEL SHORTLISTED FOR RIAI GOLD MEDAL 2013-2015

DECEMBER 2024

Bishop Edward King Chapel Shortlisted for RIAI Gold Medal 2013-2015

Bishop Edward King Chapel was shortlisted for the RIAI Gold Medal 2013-2015. Presented by the RIAI since 1934, the Gold medal is the highest honour in Irish Architecture. 

The jury noted: 

This unique project for Ripon Theological College, developed over time from an initial design competition responds to the context of the existing 19th century college campus and surrounding trees and is also grounded in the wider South Oxfordshire landscape, overlooking the valley to the west.

The architect has created an exquisitely detailed nave type space for collegiate gathering, defined by the tracery of a Glulam structure and equipped with a perimeter ambulatory, side chapel and sacristy in which the control of space and light is exemplary.   

Through its refined architecture this chapel becomes truly a spiritual space, an ethereal place set apart in heart of English countryside, and capable of responding to the changing requirements of the College.

The RIAI Gold Medal 2013-2015 was awarded to Donaghy+Dimond Architects for The Model School, Inchicore.

ARCHITECTURE FOUNDATION OF AUSTRALIA CONFERENCE

JANUARY 2014

Architecture Foundation of Australia Conference

Niall McLaughlin has been invited to participate in a conference on Milson Island on the Hawkesbury River in Australia. Organised by the Architecture Foundation Australia, the residential event gathers an international field of speakers to explore a chosen theme. It will take place between the 28th and 30th of March 2014. This year’s theme will be ‘trace de la main’, taken from the comment by engineer Peter Rice that “whereas a Gothic cathedral will express the real and physical presence of the stone from which it was made, and of the masons who laboured over its construction so many years ago, very few modern buildings carry the same physical presence of the materials of which they were built. In short, ‘the trace de la main’, the evidence of those who built it, is not there.”