Bishop Edward King Chapel Shortlisted for RIAI Gold Medal 2013-2015

BISHOP EDWARD KING CHAPEL SHORTLISTED FOR RIAI GOLD MEDAL 2013-2015

DECEMBER 2024

Bishop Edward King Chapel was shortlisted for the RIAI Gold Medal 2013-2015. Presented by the RIAI since 1934, the Gold medal is the highest honour in Irish Architecture.

The jury noted:

This unique project for Ripon Theological College, developed over time from an initial design competition responds to the context of the existing 19th century college campus and surrounding trees and is also grounded in the wider South Oxfordshire landscape, overlooking the valley to the west.

The architect has created an exquisitely detailed nave type space for collegiate gathering, defined by the tracery of a Glulam structure and equipped with a perimeter ambulatory, side chapel and sacristy in which the control of space and light is exemplary.

Through its refined architecture this chapel becomes truly a spiritual space, an ethereal place set apart in heart of English countryside, and capable of responding to the changing requirements of the College.

The RIAI Gold Medal 2013-2015 was awarded to Donaghy+Dimond Architects for The Model School, Inchicore.

‘ETERNAL PROBLEMS’, RIBA JOURNAL EXHIBITION REVIEW BY NIALL MCLAUGHLIN

JUNE 2014

Niall McLaughlin has written a piece for the RIBA Journal on the symbolic use of architecture within early Renaissance Art. The essay describes observations based on a visit to the ‘Building the Picture’ exhibition, currently on show at the National Gallery in London. The exhibition gathers together architectonic works by the Italian masters of the 14th-16th centuries that explore real and imagined architectural space.

The article observes how the Renaissance artists’ enthusiasms for displaying their newly discovered skills of perspective and knowledge of the classical forms are conflated with a religious symbolism. The tropes of classical architecture are used as visual metaphors for the divine and eternal. The article explores the effect of these spaces on the viewer and the reasons why the idealised architecture tends to alienate rather than engage.