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BIENNALE ARCHITECTTURA 2018

JUNE 2018

Biennale Architecttura 2018

The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.

Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.

The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.

TINTAGEL COMPETITION SHORTLIST

SEPTEMBER 2015

Tintagel Competition Shortlist

Niall McLaughlin Architects are one of six shortlisted for the Tintagel Castle Bridge competition run by Malcolm Reading. The new footbridge will link the ruins of the 13th-century coastal castle, the mythical home of King Arthur, and the nearby headland. The winning scheme will stand 28 metres higher than the current crossing and spanning more than 70 metres. Also on the shortlist are Dietmar Feichtinger Architectes, Marks Barfield Architects, Ney & Partners Civil Engineers, RFR and Jean-Francois Blassel Architecte and Wilkinson Eyre. The competition jury which is chaired by Allies and Morrison partner Graham Morrison said ‘The competition’s first stage attracted high-level interest from around the world and we were delighted with the response. In choosing the shortlist we looked for designers likely to produce a range of imaginative ways of making a beautiful and economic structure that is right for this very particular setting”.