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Biennale Architecttura 2018

June 2018

Biennale Architecttura 2018

The 2018 Venice Biennale opened to the public on the 26th May. This year’s theme “focuses on architecture’s ability to provide free and additional spatial gifts to those who use it and on its ability to address the unspoken wishes of strangers”.

Our contribution is a collection of six large-scale models, each representing a hall for gathering that the practice has designed. These models are placed upon a rotating table which is a calendar and a cosmic machine. Each hall has a different purpose yet they all bring people together in a rhythmic and cyclical fashion daily, weekly and annually. The specific uses of each building are regulated by a calendar of events, rituals and times of congregation. Their calendars are inscribed on the outer rim of a turning table. The table can be rotated by hand. When you turn it, varying light falls upon the models representing the passage of the sun through the day from dawn to dusk. It is a manual and mechanical process.

The intention of presenting these models in this way is to emphasise the relationship between the enduring frames of the buildings and the endless procession of fugitive elements that pass through them periodically.

Mary Ann Steane Article in Architecture Today on Ripon College Chapel

March 2013

Mary Ann Steane Article in Architecture Today on Ripon College Chapel

Author and Cambridge academic Mary Ann Steane has written on the Chapel’s “lyrical embodiment of liturgy and light” in an article published in Architecture Today. Dr. Steane previously included the Carmelite Monastery project in her book ‘The Architecture of Light’. The article in Architecture Today elucidates on the Chapel’s filtering of natural light through the internal timber structure, as a means of tying the building to its surroundings.

“On a sunny day the upper surfaces become an animated embroidery of light and shadow in tune with the surrounding windblown foliage, but even on a dull day the way that light is held within the tall enclosure is critical to the project’s narrative of tethering.”

Link to the full article