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BALLIOL FACADE TRIP

APRIL 2017

Balliol Facade Trip

We are working on new student residential buildings for Balliol College, Oxford. As part of the detailed design development we have been working with a façade sub-contractor based in Belgium, and recently made a visit to their manufacturing factories. The itinerary for the day – a design workshop, a factory tour and a review of samples. Lots of coffee after an early Eurostar, and a good lunch.

There had been several similar design workshops before; where gathered around the meeting table, sketches were scattered as we questioned the architectural intent and the construction details equally. Brick samples sat in front of us, books piled up with precedents opened, past project drawings and models pulled out for reference. How to compose the language to create a calm and unified façade across the site. The engineers, the architects, the craftsmen who will build the façade.

These sorts of discussion are an aspect of everyday practice, and incredibly valuable part of the process – marrying the conversations of design aspiration with the actual making of. The bricks and mortar that see the architecture delivered from the paper to the physical form.

ARCHITECTS’ JOURNAL FEATURE ON DUNCAN TERRACE

AUGUST 2014

Architects’ Journal Feature on Duncan Terrace

In their August issue entitled ‘Home’, the Architects’ Journal has featured an article on the practice’s remodelling of Duncan Terrace, a Grade II-listed Georgian house in Islington. After winning a private competition held by the clients in 1999, the residential project has spanned over a decade and is now complete. The internal arrangement of the house has been extensively remodelled and a dedicated gallery space built at the end of the courtyard garden, to house the clients’ collection of contemporary art and ceramics.

The main house is linked to the gallery space through a double-height passageway, formed between the existing listed flanking garden wall and a new screen of cast plaster blocks, set behind translucent glass. The screen gathers light from both sides making the cast volumes appear to float, with light able to penetrate around each block held in the array.

To read the full article click here.