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AYR MASTERPLAN

FEBRUARY 2017

Ayr Masterplan

In collaboration with acclaimed international land artist Charles Jencks the masterplan for Ayr has been given planning consent.  The project has been conceived as an urban square next to the River Ayr that will be used for festivals and events.

The scheme, focuses around a new glazed structure, that will open up a number of views blocked by post-war development and includes commercial, cultural, leisure, community, hotel and residential buildings. South Ayrshire Council has already committed to building a new council office for 350 of its staff as part of the scheme.

Ayr Renaissance began purchasing the mainly 20th century buildings on the site almost four years ago with funding from the council and the Scottish Government’s Regeneration Capital Grant Fund.

Demolition will begin immediately on the buildings within the plot, which falls inside the Ayr Central Conservation, following the approval for the masterplan by South Ayrshire Council last week.

Archaeologists will work alongside the demolition contractors in preparation for a six-month dig.

James Knox, chairman of Ayr Renaissance, said: ‘This decision marks a turning point in the fortunes of Ayr. Decades of blight will be swept away, opening up the river to the town’s people for the first time in generations. ‘Our masterplan offers a humane and beautiful solution to the transformation of this key site, which will act as a magnet for visitors, office workers and inhabitants alike. It marks a sea change in the economy of the town.’

ARCHITECTS’ JOURNAL FEATURE ON DUNCAN TERRACE

AUGUST 2014

Architects’ Journal Feature on Duncan Terrace

In their August issue entitled ‘Home’, the Architects’ Journal has featured an article on the practice’s remodelling of Duncan Terrace, a Grade II-listed Georgian house in Islington. After winning a private competition held by the clients in 1999, the residential project has spanned over a decade and is now complete. The internal arrangement of the house has been extensively remodelled and a dedicated gallery space built at the end of the courtyard garden, to house the clients’ collection of contemporary art and ceramics.

The main house is linked to the gallery space through a double-height passageway, formed between the existing listed flanking garden wall and a new screen of cast plaster blocks, set behind translucent glass. The screen gathers light from both sides making the cast volumes appear to float, with light able to penetrate around each block held in the array.

To read the full article click here.