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AYR MASTERPLAN

FEBRUARY 2017

Ayr Masterplan

In collaboration with acclaimed international land artist Charles Jencks the masterplan for Ayr has been given planning consent.  The project has been conceived as an urban square next to the River Ayr that will be used for festivals and events.

The scheme, focuses around a new glazed structure, that will open up a number of views blocked by post-war development and includes commercial, cultural, leisure, community, hotel and residential buildings. South Ayrshire Council has already committed to building a new council office for 350 of its staff as part of the scheme.

Ayr Renaissance began purchasing the mainly 20th century buildings on the site almost four years ago with funding from the council and the Scottish Government’s Regeneration Capital Grant Fund.

Demolition will begin immediately on the buildings within the plot, which falls inside the Ayr Central Conservation, following the approval for the masterplan by South Ayrshire Council last week.

Archaeologists will work alongside the demolition contractors in preparation for a six-month dig.

James Knox, chairman of Ayr Renaissance, said: ‘This decision marks a turning point in the fortunes of Ayr. Decades of blight will be swept away, opening up the river to the town’s people for the first time in generations. ‘Our masterplan offers a humane and beautiful solution to the transformation of this key site, which will act as a magnet for visitors, office workers and inhabitants alike. It marks a sea change in the economy of the town.’

KEY NOTE LECTURE AT CONFERENCE ON MODERN SACRED ARCHITECTURE

OCTOBER 2014

Niall McLaughlin has given a keynote lecture on the theme of ‘Sacred Spaces’ as part of a conference on Modern Sacred Architecture in Ireland and Germany, hosted at Newman House in Dublin. The conference was hosted as a collaboration between University College Dublin, Goethe-Institut Ireland and the National College of Art and Design. The other key note lecturers were Kathleen James-Chakraborty, Professor of Art History at UCD and Amandus Sattler, principal of the award-wining Munich practice, Allmann Sattler Wappner.

The three day event explored themes of abstraction and innovation, together with conservation and re-use in the design of churches, mosques and synagogues from 1920s to the present day. The lectures and panel discussions focussed on sacred architecture of the period within Ireland and Germany. Niall spoke on themes surrounding the practice’s ecclesiastical work, including the Bishop Edward King Chapel and the Carmelite chapels in London and Dublin.