Ayr Masterplan

AYR MASTERPLAN

FEBRUARY 2017

In collaboration with acclaimed international land artist Charles Jencks the masterplan for Ayr has been given planning consent. The project has been conceived as an urban square next to the River Ayr that will be used for festivals and events.

The scheme, focuses around a new glazed structure, that will open up a number of views blocked by post-war development and includes commercial, cultural, leisure, community, hotel and residential buildings. South Ayrshire Council has already committed to building a new council office for 350 of its staff as part of the scheme.

Ayr Renaissance began purchasing the mainly 20th century buildings on the site almost four years ago with funding from the council and the Scottish Government’s Regeneration Capital Grant Fund.

Demolition will begin immediately on the buildings within the plot, which falls inside the Ayr Central Conservation, following the approval for the masterplan by South Ayrshire Council last week.

Archaeologists will work alongside the demolition contractors in preparation for a six-month dig.

James Knox, chairman of Ayr Renaissance, said: ‘This decision marks a turning point in the fortunes of Ayr. Decades of blight will be swept away, opening up the river to the town’s people for the first time in generations. ‘Our masterplan offers a humane and beautiful solution to the transformation of this key site, which will act as a magnet for visitors, office workers and inhabitants alike. It marks a sea change in the economy of the town.’

NAZRIN SHAH BUILDING – STEELWORK

JULY 2015

Just over two years since our first tentative steps towards imagining what sort of space a new auditorium for Worcester College might possibly be like, we find ourselves enclosed within a spidery sketch, looking up to the trees through a skeletal enclosure of steel. We watched in excitement as our drawings were scribed across the site, first in neon spray paint and little red sticks, later excavated into deep ravines. We pick our way across the lines that had become so familiar on paper and are now concrete obstacles in a muddy field. The reality of this transition only became real as we stood looking across at the steel columns in this picture. They map out the positions of the stone fins that radiate around the curved facade of the new auditorium, with the sloping beams above us silhouetted against the bright July sky marking the future locations of the sculpted folds to the soffit.