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AYR MASTERPLAN

FEBRUARY 2017

Ayr Masterplan

In collaboration with acclaimed international land artist Charles Jencks the masterplan for Ayr has been given planning consent.  The project has been conceived as an urban square next to the River Ayr that will be used for festivals and events.

The scheme, focuses around a new glazed structure, that will open up a number of views blocked by post-war development and includes commercial, cultural, leisure, community, hotel and residential buildings. South Ayrshire Council has already committed to building a new council office for 350 of its staff as part of the scheme.

Ayr Renaissance began purchasing the mainly 20th century buildings on the site almost four years ago with funding from the council and the Scottish Government’s Regeneration Capital Grant Fund.

Demolition will begin immediately on the buildings within the plot, which falls inside the Ayr Central Conservation, following the approval for the masterplan by South Ayrshire Council last week.

Archaeologists will work alongside the demolition contractors in preparation for a six-month dig.

James Knox, chairman of Ayr Renaissance, said: ‘This decision marks a turning point in the fortunes of Ayr. Decades of blight will be swept away, opening up the river to the town’s people for the first time in generations. ‘Our masterplan offers a humane and beautiful solution to the transformation of this key site, which will act as a magnet for visitors, office workers and inhabitants alike. It marks a sea change in the economy of the town.’

ARGENT KINGS CROSS FILM

MAY 2013

Argent Kings Cross Film

A short film has been made about the practice and the design of the Tapestry Building, a large-scale mixed-use development on the edge of the Regent’s Canal in King’s Cross. The scheme forms one element in the wider regeneration of the 67-acre site adjacent to King’s Cross station and the Regent’s Canal.

In the film Niall McLaughlin describes the design influences behind the woven tapestry-like facade and places the building within a tradition of masonry buildings looking to imitate “the intensity and the enmeshed, thicket-like quality of tapestries” that goes back to the origins of architecture, where hanging tapestries were used to enclose space.

Link to Kings Cross film