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AUCKLAND CASTLE WING EXTENSION

MAY 2019

Auckland Castle Wing Extension

Following the completion of the Auckland Tower, the Faith Museum is our second project at Auckland Castle and is an extension to the Grade I listed Scotland Wing. Unlike its vertical sister, which wears its expressed timber structure on the outside, the Faith Museum is singular and monolithic in its appearance, forming a continuous horizontal stone edge to an enclosed courtyard. Cop Crag sandstone, local to the north-east of England, is the external treatment for the roof, walls and weatherings of the building. Far from being homogenous, the stone is alive with natural variation which ranges from delicate lacy swirls to something resembling animal markings.

The principal internal space is a 9.5m tall gallery which follows the steeply pitching roof form, supported by a procession of closely-centred fine metal trusses. The Museum is largely inward-looking, borne of its intended purpose for contemplation and preservation of religious artefacts. This provides further enjoyable contrast and conversation between our two buildings in how they seem to view one another: the Tower’s expansive 360˚ views offering a full appreciation of the Faith Museum in its entirety as begins to take form, whilst the introspective Museum offers the only the slightest peek of its neighbour over the wall.

RIBA JOURNAL FEATURE ON THE BISHOP EDWARD KING CHAPEL

JULY 2013

RIBA Journal Feature on the Bishop Edward King Chapel

Under the tile ‘Happy Ending’, Jan-Carlos Kucharek has reviewed the Chapel for Ripon Theological College in Oxfordshire. The article reflects on the conversations with the client to develop the design, together with the stories and architectural precedents that worked together to inform the building’s final form. Kucharek writes, “…there’s no questioning the positive effect of McLaughlin’s £2.6m chapel on the picturesque Ripon College, both functionally and aesthetically.” He goes on to describe the elliptical form, accessed on the diagonal between the long and short axes, as “a master stroke.”