ARCHITECTURE ROOM AT THIS YEAR’S ROYAL ACADEMY SUMMER EXHIBITION
APRIL 2022
Níall McLaughlin and artist Rana Begum will co-curate the architecture room at this year’s Royal
Academy Summer Exhibition. Celebrated British sculptor Alison Wilding RA will co-ordinate the 254th exhibtion.
This year Wilding will explore the theme of Climate. “The theme of Summer Exhibition 2022 is
CLIMATE in all its manifestations. Whether it presents as crisis or opportunity, nightmare or
memories, or simply our everyday experience of weather, - CLIMATE is a huge all-embracing and
urgent subject.”
The Summer Exhibition is the world’s largest open submission contemporary art show which has
taken place every year without interruption since 1769. The members of the Summer Exhibition
Committee serve in rotation, ensuring that every year the exhibition has a distinctive character, with
each Royal Academician responsible for a particular gallery space. Works from all over the world are
judged democratically on merit and the final selection is made during the eight-day hang within the
galleries.
PLANNING PERMISSION GRANTED FOR WONG AVERY GALLERY
MAY 2018
Planning permission has been granted for the construction of a small new music practice and performance space for Trinity Hall, Cambridge. The stone-built music practice and recital space will sit in the centre of Avery Court, on the College’s central Cambridge site, adjacent to several listed buildings including the chapels of both Trinity Hall and Clare College. It will be named the Wong Avery Gallery in recognition of its primary funders, the family of the late Dennis Avery, the College Fellow after whom the Court is named. The addition of the new building will greatly improve the College’s offer for students and staff participating in or studying music and enrich the cultural life of the College as a whole.
It is a simple loadbearing construction made of thin stone columns and beams. It is a composition of cubic forms, with a Greek cross plan-form. Performances will take place in the centre, with audience seating in bay windows at the ends of each arm, the walls of which are lined with shelves to store sheet music. Over the crossing, a glazed lantern brings light into the centre of the building and is lined with acoustic shutters which allow the reverbera- tion time of the space to be finely tuned according to the number of musicians and audience members for each rehearsal or performance. As part of the proposals, the court will be landscaped to designs by Kim Wilkie, with a large paved area surrounded by borders filled with predominantly green shrubs and climbing plants.
The project is due to start on site during the academic year 2018 -19.