ARCHITECTURE ROOM AT THIS YEAR’S ROYAL ACADEMY SUMMER EXHIBITION
APRIL 2022
Níall McLaughlin and artist Rana Begum will co-curate the architecture room at this year’s Royal
Academy Summer Exhibition. Celebrated British sculptor Alison Wilding RA will co-ordinate the 254th exhibtion.
This year Wilding will explore the theme of Climate. “The theme of Summer Exhibition 2022 is
CLIMATE in all its manifestations. Whether it presents as crisis or opportunity, nightmare or
memories, or simply our everyday experience of weather, - CLIMATE is a huge all-embracing and
urgent subject.”
The Summer Exhibition is the world’s largest open submission contemporary art show which has
taken place every year without interruption since 1769. The members of the Summer Exhibition
Committee serve in rotation, ensuring that every year the exhibition has a distinctive character, with
each Royal Academician responsible for a particular gallery space. Works from all over the world are
judged democratically on merit and the final selection is made during the eight-day hang within the
galleries.
A+U FEATURE ON SOMERVILLE COLLEGE ACCOMMODATION
MAY 2014
The Japanese journal a+u has published an account of the practice’s student accommodation for Somerville College, Oxford. The theme of this month’s publication is ‘New Landscapes of Wooden Architecture’ and features an international selection of projects that explore new aspects of wood technology and its potential within cities. The article gives a description on the themes and processes behind the project, placing it within the context of the historic university city and the surrounding Radcliffe Infirmary Quarter.
It is illustrated with working details of the bespoke timber glazing for the stair tower lanterns, as well as the prefabricated timber projecting bay window units for the student bedrooms, with their integral desk and bench seat overlooking the street.
‘We chose to make the glazed elements in the stair towers and student rooms in wood because we wanted them to be like warm lanterns, internally lit in the evening, bringing light to the narrow street…Wood allowed us to make more three-dimensional details…we owe a debt to Louis Kahn’s work at Philip Exeter Academy Library.’ NM